Arabs and Muslims in the Media: Race and Representation after 9/11

Evelyn Alsultany

http://nyupress.org/books/book-details.aspx?bookId=4103#.UQ_FVduBXMg

“A major, skillfully constructed, must-read book. It should be required reading for all Americans who care about and seek to eradicate injurious stereotypes of the evil Cultural Other.”―Jack G. Shaheen, author of Reel Bad Arabs: How Hollywood Vilifies a People

“This important book makes a significant contribution to the burgeoning scholarship on the post-9/11 cultural and political history of the United States. Drawing on a rich understanding of the representations of Arabs and Muslims in the last century, Alsultany helps us to understand what has changed, and what has not, in the last ten years.”―Melani McAlister, George Washington University

After 9/11, there was an increase in both the incidence of hate crimes and government policies that targeted Arabs and Muslims and the proliferation of sympathetic portrayals of Arabs and Muslims in the U.S.

media. Arabs and Muslims in the Media examines this paradox and investigates the increase of sympathetic images of “the enemy” during the War on Terror. Evelyn Alsultany explains that a new standard in racial and cultural representations emerged out of the multicultural movement of the 1990s that involves balancing a negative representation with a positive one, what she refers to as “simplified complex representations.” This has meant that if the storyline of a TV drama or film represents an Arab or Muslim as a terrorist, then the storyline also includes a “positive” representation of an Arab, Muslim, Arab American, or Muslim American to offset the potential stereotype.

Analyzing how TV dramas such as West Wing, The Practice, 24, Threat Matrix, The Agency, Navy NCIS and Sleeper Cell have represented Arabs, Muslims, Arab Americans, and Muslim Americans during the War on Terror, this book demonstrates how more diverse representations do not in themselves solve the problem of racial stereotyping and how even seemingly positive images can produce meanings that can justify exclusion and inequality.

New York University Press

October 2012 239pp 9780814707326 PB £14.99